Is it possible to take these and use these as approaches to panels layout? Data is perceived as a set of ideas already there and the visual structure should tell you something new about the data.
So a set of layouts should work as showing you new ideas about what the story is. Can you do multiple view points of a story from how the panels are laid out and what you are cropping in the pictures?
Breccia doesn’t show us what we know. He uses shell casings to make the transition from Ahmed’s face across into the montage, into the past. Shell casings to direct the eye in from the right and focus on the monster face.
Shell casings to be horizontals that hold the diagonals of the montage together. The diagonals that focus on the soldiers back, the x of his straps crossing with the shell casings to wedge your eye in and hold it
Have you ever seen a story with shell casings made an important part of it?
I was thinking of Archie when I started an article on teaching Flash and programming. Perhaps because of the recent anniversary of his death. I only worked with him once on a three issue mini-series, so it wasn’t a long working relationship or deep in any way. He was relatively quiet and seemed shy, but then in a room filled with British artists drinking and a sprinkling of Americans, a rooster’s crow call ripped through the room. Everyone turned and looked, there was Archie, beer in hand with a couple of artists, blushing, and shrugging his shoulders.
He could discuss the illness that killed him with a factuality that was frightening. I didn’t know him well and processing something like that is obviously hard and went on over long periods of time, but he did it. To come to terms with mortality and illness and come out the other side is really heroic. I had recently been diagnosed with Multiple Sclerosis and he stopped me in the hallway to talk about it. His small joke about not wanting what I have, he’d deal with what he knew, was a reassurance to me that has stuck profoundly, for almost fifteen years now.
In many of the comics he edited over the years he put in one page strips, mostly gags about himself. So when he talked you always felt he understood the whole craft of comics. Some people think comics are writing, some people think comics are drawing, but it’s the integration of the whole ting that makes them work. In teaching I want to produce students who understand their whole craft, and hopefully end up as good a person as Archie was.
I’m sorry I couldn’t sneak his name into the article somehow.