Data Jack Kirby Storyboards Storytelling

Neal Adams and Heath Ledger and Weird

Neal Adams swipe by me, with Heath Ledgers head

This is a drawing for the Kid’s school auction, confronted with the “kids these days don’t think batman is cool”, heck kids these days don’t read American comics and feeling my hip cartoonist self fading off into irrelevancy I asked The Kid what to do for the auction. He suggested the Joker from the movie, not the comics Joker, certainly not the real Joker, Cesar Romero.

So I used his suggestion as a chance to swipe an old Neal Adams cover Detective ? at url. Neal was the first artist I recognized as cool, the first artist I started looking for his work on the racks. he had a very graceful feel to his figures, did well etched muscles, ad had hands clenching things with the best knuckles. I never could swipe his knuckles very well.

So I tacked Heath Ledger’s head on top of the cover and redo everything else within the context of my world. Over on Facebook Stephen DeStefano was quizzing Walt Simonson about the coolest Batman comic ever that Walt did. We had a little discussion about what make Walt’s Batman weird and mine weirder.

Neal’s drawing grew out of strip art and commercial illustration of that time, he figured out how to put some Kirby dynamics under that traditional rendering and made something feel new but recognizable. Walt who’s work is totally based in Kirby overlayed by a sure design sense, trained by art school (before they taught comics in art school) with a line that feels fresh and bouncy, with all sorts of weird visual art history references thrown, came out of left field. So he’s seen by the traditionalists as weird.

My art school training pushed me even further afield, I was even less concerned with the iconic or traditional styles and drawing was that gestural physical act for me. I wasn’t interested in referencing Steadman or Baron Storey or any other illustrators that were considered appropriate, I really thought you should draw your own way, so comics people look at me as totally from “another fucking planet” as Mr. Chaykin said.

These days it’s easier to go “Yup, my drawing is from another planet”.

Comics Flash Storyboards Teaching

User Experience and Comics

grumbling when talking to online User Experience people and they find out that I draw comics, their face lights up and they say you know there’s a great book. And their always amazed when I say

“Understanding Comics by Scott McCloud”, and when i say “I’m a little jaded because I got all the theory he talks about in Art School so I never saw what the big deal was” they get confused what is interesting after talking to them they love the book but I’m never sure how they use the book.

But now I’m looking at what User Experience is and how you develop a comic/learning experience for that and the challenge is how do you step back and integrate development techniques from software into comics, more or less I’m pondering why someone won’t write the manual for what I want to do and why do I have to figure it out myself.

Re-work the ideas in this article in relation to teaching/comics

Teach yourself dope; meaning me.